How cool - not only do they get a puzzle to put together, but when they finish it, they have a picture of themselves. Makes the head look smaller.Shortly before Christmas last year, I heard an ad on the radio that our local print shop was making personalized photo puzzles - a great gift for every child on your list. “There needs to be more space between the top of the photo and the subject. “Shocking,” he whispered, and suggested a retake. Later, examining the photograph, he pinched his fingers on the phone screen and zoomed in on his face. Posing, he removed his glasses and crossed his arms, smiling a red-carpet smile. Still, he seemed game for a brief iPhone photo call. “How many pictures of a toad can you put up with?” he asked. He did not have much to say about being photographed himself. “But I met her a few times after that, and every time I was in the room she would come over and say hello.” Did she know Adams’s music? “We never really got into it,” he said. There was another shot of the Queen, this time seated next to two pairs of Wellingtons. “At one point, one of the builders was carrying some stone and he went, ‘All right, Kate?’ ”Adams said, in mangled Cockney. That day, there were workers in the house for a renovation, and Moss’s agent had called ahead to say that she wanted to pose wearing only black fish-net stockings. Nearby was a portrait of Kate Moss, from 2000, reclining on a surface in Adams’s London kitchen. He looked at a shot of Mads Mikkelsen, his bare torso contorted in a yogic pose. Adams, how ya doin’?’ ” he mimicked, in a Long Island accent. He told her that he’d just played Madison Square Garden and that some of the crew had remembered him from the last time he was there. Adams greeted her with a kiss on the cheek. The photographer Julia Bostock was helping set up champagne flutes on a table. It is titled “Nipples.”ĭownstairs, a selection of Adams’s black-and-white prints was on display. In the gallery’s window is a photo of the English singer Robbie Williams, shirtless, wearing a dark topcoat, pointing at his chest. Elsewhere, there is Bryan Ferry in a pensive mood, cigarette between his fingers, mid-drag. “And that’s a bottle of wine later.” Winehouse’s beehive partially obscures her face, behind light-blue plexiglass. “We started up quite well and then the bottles of wine kicked in,” he said. “I think it gives them a more Pop-art feel.” He paused in front of a picture of Amy Winehouse crouched beside a record player, laughing. “He did some things, so we don’t show it.”įor the series, Adams had been inspired by the expression “seeing things through rose-tinted glasses.” He said, “It sounded cool, right?” Earlier, Ben Burdett, the gallery’s director, had compared the effect to looking into a fishbowl, the plexiglass acting as a filter that ensnares the celebrity subjects. “The person has some legal issues,” she said, laughing. She mentioned that one of the portraits had been nixed. Degenhard, who has Barbie-blond hair, was dressed in black. “It looks cool.” He gestured at his portrait of the Queen and Prince Philip: “Royal red.”Īnke Degenhard, a German art consultant who has worked with Adams for seventeen years, explained that she’d had conversations with thirty different plexiglass manufacturers before she found one to produce the colors that Adams wanted: an Orange Crush hue for Naomi Campbell, and light blue for Mick Jagger. “I’ve not seen them finished like this,” Adams said, of the color-saturated images. The art exhibition, called “Bryan Adams in Color,” features a series of black-and-white celebrity portraits framed behind sheets of colored plexiglass. The next morning, he was leaving for Texas. He had just been in Tampa on his “So Happy It Hurts” tour. In 2001, he was commissioned as Canada’s official photographer for Queen Elizabeth’s Golden Jubilee portraits.Īt the gallery, Adams wore a black denim jacket and thick-rimmed glasses. His subjects have included his friends and colleagues (Morrissey, Lindsay Lohan, Judi Dench, Ben Kingsley), British military veterans, and homeless street venders. “I was always watching what the assistants were doing,” he said, “and how it wasn’t just showing up and getting your picture taken.” He has shot assignments for British Vogue and German Vogue and for Harper’s Bazaar. He got into it because he found himself fascinated by the people who took his picture for album covers and magazines. The art on display was his own since the late nineties, he has had a side career as a portrait photographer. Bryan Adams, the Canadian rock singer, was at the Atlas Gallery, in London, the other day, attending an art opening.
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